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Serpent’s Tail Alumni Longlisted for the Booker Prize

Congratulations to Serpent’s Tail alumni Susan Choi and Katie Kitamura on their Booker Prize longlistings!

We’re thrilled, and not at all surprised, to see Susan Choi and Katie Kitamura receive this well-deserved recognition. Both authors began their publishing journeys with Serpent’s Tail, where their brilliance was already unmistakable and has only deepened with each new work.

If you’re new to their writing or looking to explore it further, here are some standout titles to start with…


Trust Exercise by Susan Choi

Sarah and David are in love – the obsessive, uncertain love of teenagers on the edge of adulthood. At their performing arts school, the rules are made by their magnetic drama instructor Mr Kingsley, who initiates them into a dangerous game. Two decades on we learn that the real story of these teenagers’ lives is even larger and darker than we imagined, and the consequences have lasted a lifetime.

Trust Exercise is a brilliant, unforgettable novel about what we lose, gain and never get over as we’re initiated into the mysteries of adulthood.

 

 

 

Gone to the Forest by Katie Kitamura

Set on a struggling farm in a fiercely beautiful colonial country teetering on the brink of civil war, this second novel by one of international literature’s rising young stars weaves a brilliant tale of family drama and political turmoil.

Since his mother’s death ten years earlier, Tom and his father have fashioned a strained peace on their family farm. Everything is frozen under the old man’s vicious, relentless control – even, Tom soon discovers, his own future. When a young woman named Carine enters their lives, the complex triangle of intrigue and affection escalates the tension between the two men to breaking point. After a catastrophic volcanic eruption ignites the nation’s smouldering discontent into open revolution, Tom, his father and Carine find themselves questioning their loyalties to one another and their determination to salvage their way of life.

 

A Separation by Katie Kitamura 

A young woman has agreed with her faithless husband: it’s time for them to separate. For the moment it’s a private matter, a secret between the two of them. As she begins her new life, alone, she gets word that her ex-husband has gone missing in a remote region in the rugged southern Peloponnese. Reluctantly she agrees to go and search for him, still keeping their split to herself. In her heart, she’s not even sure if she wants to find him. Adrift in the wild and barren landscape, she traces the failure of their relationship, and finds that she understands less than she thought about the man she used to love.

A story of intimacy, infidelity and compassion, A Separation is about the gulf that divides us from the lives of others and the narratives we create to mask our true emotions. As the narrator reflects upon her love for a man who may never have been what he appeared, Kitamura propels us into the experience of a woman on the brink of catastrophe. A Separation is a riveting masterpiece of absence and presence that will leave the reader astonished, and transfixed.

 

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Saraswati is shortlisted for the Waterstones Debut Fiction Prize

We are over the moon to announce that Saraswati by Gurnaik Johal has been shortlisted for the 2025 Waterstones Debut Fiction Prize! Thank you to all the amazing Waterstones booksellers who read, connected with, and pitched for Gurnaik’s spectacular debut to make it onto this prestigious list. Bookseller Saba at Waterstones Bournemouth Castle Point said,

Saraswati is what you cross your fingers for when you read a debut: fearless, ambitious and strikingly assured. Deeply rooted in the culture of Punjab, Johal weaves an intricate tale so immersive and expansive that you have to pause every few pages to let his words wash over you before diving back in … This book won my heart in a million ways’

Congratulations to Gurnaik and the other shortlisted authors! We’re counting down the days until next month’s awards ceremony. Get your signed copy through Waterstones here.

Read more about Saraswati below.

Saraswati most certainly delivers, darting thrillerishly around the world to fold chewy themes of empire, populism and global warming into a cross-generational epic centred on seven strangers’ OBSERVER, Best  New Novelists for 2025

Saraswati is a major achievement, and Johal a huge talent. This should be one of the biggest novels of the year’ Martin MacInnes, Booker-longlisted author of In Ascension

Centuries ago, the myths say, the holy river Saraswati flowed through what is now Northern India. But when Satnam arrives in his ancestral village for his grandmother’s funeral, he is astonished to find water in the long-dry well behind her house. The discovery sets in motion a contentious scheme to unearth the lost river and build a gleaming new city on its banks, and Satnam – adrift from his job, girlfriend and flat back in London – soon finds himself swept up in this ferment of Hindu nationalist pride.

As the river alters Satnam’s course, so it reveals buried ties to six distant relatives scattered across the globe – from an ambitious writer with her eye on legacy to a Kenyan archaeologist to a Bollywood stunt double – who are brought together in a rapidly changing India. Brimming with love, lush, violence and loss, Gurnaik Johal’s magisterial debut deftly animates the passions that bind us to our histories, our lands and each other.

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Serpent’s Tail Spring Reading 2025

 

It’s finally getting warmer outside and the days are feeling brighter, so we’ve put together a range of incredible books for you to enjoy in the spring sunshine. From sparkling debuts, to life-affirming memoirs, here’s a wonderful assortment of reading recommendations for your perfect bank holiday!

Which books do you plan on reading this spring? Let us know on Instagram @SerpentsTail, BlueSky @serpents-tail.bsky.social, or on X at @SerpentsTail.

Moving Stories

An image featuring the books 'This is a Love Story', 'Wild Ground' and 'Shape of An Apostrophe'

💗 This is a Love Story by Jessica Soffer

My Name Is Lucy Barton meets Harry and Sally in this witty, moving portrait of a long New York marriage.

‘Unapologetically romantic: complicated, colourful and includes many tales that tug at the heartstrings’ New York Times

🌿 Wild Ground by Emily Usher

A working-class Romeo & Juliet set in the beauty and squalor of the Yorkshire edgelands.

‘A glittering exploration of love’s many faces – Wild Ground aches with hard-won hope and bruised tenderness’ Colin Walsh, author of Kala

🌸 Shape of an Apostrophe by Uttama Kirit Patel

A bittersweet yet life-affirming debut revealing the intricacies of family life behind closed doors, Shape of an Apostrophe is a taboo-breaking exploration of motherhood, obedience, rebellion and the surprising persistence of love.

‘Patel has embraced her inner Jane Austen for this tale, which tackles the social mores of the wider Indian diaspora living in the UAE.’ Crack

Electrifying Must-Reads

 

🍷 Lush by Rochelle Dowden-Lord

A mysterious invitation to drink the oldest bottle of wine in the world – what could possibly go wrong?

Lush is a sparkling novel to savour and Dowden-Lord a generous and highly accomplished storyteller’ Lottie Hazell, author of Piglet

🦌 Stag Dance by Torrey Peters

Trans life past, present and future is explored in this kaleidoscopic follow-up to the Women’s Prize-nominated Detransition, Baby.

‘Boy did I love this. Hot, heartbreaking and thrillingly victorious’ Miranda July

🎊 Valencia by Michelle Tea

A fast-paced account of one year in San Francisco’s underground scene, filled with sex, drugs and the never-ending search for true love.

‘Michelle Tea is an intoxicating writer, delivering sentences that land with the snap and force of a punch’ Guardian

One-Sitting Wonders

 

⛷️ Eurotrash by Christian Kracht

Longlisted for the International Booker Prize 2025, Eurotrash is a rambunctious, tragicomic absurd road trip novel about a wealthy Swiss-German mother and son.

‘Not only moving and uplifting, but strangely funny’ Guardian

🦟 Dengue Boy by Michel Nieva

The year is 2272. New York and Buenos Aires were submerged years ago and the Patagonian archipelagos are the only habitable lands on Earth. Here, Dengue Boy is a humanoid mosquito whose monstrous appearance repulses everyone, including his own mother. As the world spirals to its end, Dengue Boy searches for the meaning of his life and his true origins.

‘A rip-roaring satire of late capitalism and humanity’s unerring instinct for self-sabotage’ Irish Times

🪦 Dealing with the Dead by Alain Mabanckou

From one of Africa’s most celebrated novelists: a ghostly reckoning with Congolese history for readers of Lincoln in the Bardo.

‘Sharp and entertaining’ Times Literary Supplement

Enthralling Narratives

 


🚲 The Assault by Harry Mulisch

The classic that sold over 200,000 copies in the Netherlands: a richly crafted novel of post-war innocence and guilt.

‘Fuelled with energy, drama and emotional weight, combined with a light touch and a fast-moving story. Grab it while you can’ Times

📦 Help Wanted by Adelle Waldman

Clock in for a night shift – and for a moving multi-perspective novel that explores life in the gig economy.

‘Help Wanted is like a great nineteenth-century novel about now, at once an effervescent workplace comedy and an exploration of the psychic toll exacted by the labour market’ Elif Batuman, author of The Idiot

🌊 Saraswati by Gurnaik Johal

As a holy river returns, seven lives change course in this masterpiece debut for fans of David Mitchell, Zadie Smith and Eleanor Catton.

Saraswati most certainly delivers, darting thrillerishly around the world to fold chewy themes of empire, populism and global warming into a cross-generational epic centred on seven strangers’ Observer, Best New Novelists for 2025

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Shape of An Apostrophe – Read an Extract

Lina never wanted children, but now there are two lines on the test. Where does she go from here?

Lina Solanki is pregnant and newly orphaned, living with her in-laws in their opulent Dubai villa. While her husband fails to make concrete plans to find their own place and tensions in their marriage grow, Lina’s boisterous mother-in-law interferes with every aspect of the pregnancy. Then, when proof of a horrifying family secret arrives from Mumbai, Lina realises that she has a choice when it comes to her baby, her marriage and her place in the world – but is it a choice she wants to make?

A bittersweet yet life-affirming debut revealing the intricacies of family life behind closed doors, Shape of an Apostrophe is a taboo-breaking exploration of motherhood, obedience, rebellion and the surprising persistence of love.

‘Very powerful – a wonderfully thought-provoking, very moving novel that gets to the heart of what it is to be a woman in a world run by men’ Marian Keyes

‘A darkly funny tale about the Indian diaspora’ Avni Doshi

Read an extract from Uttama Kirit Patel’s powerful debut below.

Available from: Waterstones | Bookshop.org | Amazon


A Note

There are two ways to read a story, just as there are two ways to swim.

At the surface, easy, clear, air accessible, known terrains. Or beneath, within, darker but deeper, breath held, unseen spaces wound tight in the chest. As this is a story about volition, the choice is yours. What transpires remains the same. What you take with you may be drastically altered.

Much awaits.

‘Wait 3 minutes to confirm a “Not Pregnant” result,’ the leaflet read.

The day’s last prayer call ended in her first minute there, sung from the neighbourhood mosque between sunset and midnight. In the second, Lina started on Papa’s study. Mourning had come with an instruction manual. Daughters must not light the funeral pyre. Colour, absolutely not; only white garments in grief. Cremation fumes should be washed out of the hair. Twice, with shampoo.

Typical, Lina complained to her father, to have such decorum in death and ignore its aftermath. For that, she’d been left alone to clear out the anarchy of Papa’s belongings. Would it kill you to get a bit organised?

‘Sorry,’ she said to the urn in front of where she sat on the floor.

On her right, a Yes pile held Papa’s treasures: a miniature barquentine carved in real gold, his Visconti fountain pen, a bottle of midnight-blue ink. In the No pile lay yesterday’s First Response box, Barbie pink in colour, a woman’s silhouette lurking inside an oversized numeric digit. Was she pregnant or just standing there naked? The branding shouted in caps lock: ‘CAN TELL YOU 6 DAYS SOONER. No brand is MORE accurate.’

For today’s test, Lina had chosen Clearblue, a landscape and logo colour she trusted.

In the third minute, she placed the stick between the Yes and No piles, and waited for blue lines to appear in the tiny windows labelled ‘Control’ and ‘Result’, the irony of which had evaded a whole corporation. When the lines came into view, they were two this time, at a crossroads – a presumption of pregnancy as a plus.

Lina tried jamming the test into the First Response box with the other ‘Not Pregnant’, wishing it were so. How careless of that mother, Nature herself, to allow such an invasion without warning. No baby should begin as a battle.

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Eurotrash is longlisted for the International Booker Prize

We are over the moon that that Eurotrash by Christian Kracht, translated by Daniel Bowles, has been longlisted for the prestigious International Booker Prize. The judges have said,

Eurotrash is the auto-fictional account of a writer contemplating his unpleasant and abusive childhood, his morally repugnant ancestry and his toxic financial inheritance as he drives his crotchety, alcoholic, senile mother through the landscape outside Zurich. This doesn’t sound like much fun! But this book is one of the most entertaining and ultimately moving stories we read. It is brilliantly, bitterly funny, even as it documents a vicious and tarnished emotional universe. This book is immaculately and wittily translated; on every page its sentences sparkle and surprise like guilty-legacy gold.’

We could not be prouder of this tragicomic novel and the way in which it has captivated readers. Congratulations to Christian, Daniel, and all the other longlisted authors and translators. The shortlist will be announced on 8th April.

Read more about Eurotrash below:

‘Odd and evocative, a frolicking rumination’ TIMES CRITICS’ BEST BOOK OF 2024

‘Hilarious, unsettling and unexpectedly moving’  FINANCIAL TIMES BEST TRANSLATED BOOK OF 2024

‘Resonant and spiky’ DAILY MAIL

‘Brilliantly caustic’ i PAPER

Realising he and she are the very worst kind of people, a middle-aged man embarks on a dubious road trip through Switzerland with his eighty-year-old mother, recently discharged from a mental institution. Traversing the country in a hired cab, they attempt to give away the wealth she has amassed from investing in the arms industry, but a fortune of such immensity is surprisingly hard to squander. Haunted in different ways by the figure of her father, an ardent supporter of Nazism, mother and son can no longer avoid delving into the darkest truths about their past.

Eurotrash is a bitterly funny, vertiginous mirror-cabinet of familial and historical reckoning. The pair’s tragicomic quest is punctuated by the tenderness and spite meted out between two people who cannot escape one another. Intensely personal and unsparingly critical, Eurotrash is a disorientingly brilliant novel by a writer at the pinnacle of his powers.

 

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Dealing with the Dead – Read an extract

‘Sharp and entertaining’ Times Literary Supplement
‘Exuberant … Dealing with the Dead is often damning, frequently hilarious and always compassionate’ Financial Times

From one of Africa’s most celebrated novelists: a ghostly reckoning with Congolese history.

Abruptly deceased at the age of twenty-four and trapped forever in flared purple trousers, Liwa Ekimakingaï encounters the other residents of Frère Lachaise cemetery, all of whom have their own complex stories of life and death.

Unwilling to relinquish their tender bond, Liwa makes his way back home to Pointe-Noire to see his devoted grandmother one last time, against all spectral advice. But disturbing rumours swirl together with Liwa’s jumbled memories of his last night on earth, leading him to pursue the riddle of his own untimely demise. A phantasmagorical tale of ambition, community and forces beyond human control, Dealing with the Dead is a scathing satire on corruption and political violence by one of the foremost chroniclers of modern Central Africa.

Available from: Waterstones | Bookshop.org | Amazon


Refreshed by your wave of euphoria, you finally decide to get up. It’s the first time you’ve stood upright since you emerged from the tomb. Supporting yourself on the wooden cross, you manage somehow to straighten up without breaking it. You ignore the creaking of your elbow joints as you shake the reddish earth from your clothes. You’re wearing an orange crepe jacket with wide lapels, a fluorescent-green shirt with a large collar, three buttons and round musketeer cuffs. Your white bow tie is a little askew, so you adjust it, remembering how Mâ Lembé hated it when you wore it off-centre to church. You seem to have got a bit wet here and there; your shirt is a little damp in the armpits, down the back, round your belly. You must have been sweating back there in your casket, you think. You cast an admiring look at your purple flares, also of crepe, and your shiny red white-laced Salamanders. And since they might restrict your movement, you resolve to slip off your shoes and toss them from your grave, goggling at those elevator heels – after all, you’re not exactly lacking in the height department. You have to admit it: these shoes were a quick sell from some trader near where you work at the Victory Palace. It’s a French hotel, close by the Lumumba roundabout, and not far from there is the Grand Marché, where every day Pontenegrins fall upon the bundles of clothes and boxes of shoes that have been shipped out from France, mostly from Marseille, Bordeaux or Le Havre. Young people have a word for these hand-me-downs – sola, which means ‘choose’ in Munukutuba. The clothes arrive in Pointe-Noire packed tight, wrapped in plastic and sealed against theft. The shoes come in tough cloth bags, again tightly sealed. The big-time traders (Lebanese, Senegalese and Maghreb) buy them in bulk and pass them on to the little traders (the Pontenegrins) to sell at retail. Once the bales and bags have been opened and unpacked, the traders place the shoes and clothes in piles on squares of canvas spread out on the ground in the centre of the marketplace. The customers sniff at them like dogs, and try them on, heedless of the people watching them strip off in public. They put their selection to one side, or between their legs, and proceed to payment only after haggling for a considerable reduction, especially if they’ve found a hanging thread, a missing button, a loose label or a microscopic stain. Who cares if only the buyer can see them; the customer is always right, what matters is what he sees. No price is set in stone, it’s all ‘negotiable’.

As well as a whiff of sola – from the clothes bundles or, a more likely hypothesis, from the shop of your favourite Grand Marché trader, Abdoulaye Walaye – you pick up a stronger smell, of Mananas, a kind of eau de toilette sold in Lebanese shops and often sprinkled on corpses. No one would ever use Mananas in Pointe-Noire, people would think they were a ghost or that they worked in the cemetery or the morgue. You don’t recall quite when your clothes began to smell like this. But you do know you haven’t changed your outfit for close on five days now, which means these are the clothes you were buried in…

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Serpent’s Tail and Viper’s Christmas Gifting Guide 2024!

A photograph with 13 books facing spine-out. Christmas decorations surround the outside.

 

We’re so excited to share some of our favourite holiday picks, featuring everything from charming comedic fiction to haunting murder mysteries, carefully chosen by the teams at Serpent’s Tail and Viper. Whether the book is a special gift for a loved one or a treat for yourself, we hope these exciting titles can be enjoyed alongside a mince pie or a mulled wine!

What do you plan on reading this winter? Let us know on X @SerpentsTail, or over on Instagram @SerpentsTail!

✨🎄🎁❄

Glittering Debuts

 

A top-down photograph featuring four Serpent's Tail books with Christmas decorations surrounding them. The books are: No Small Thing, England is Mind, Wild Ground and Flowers from the Void.

No Small Thing by Orlaine McDonald

An exceptional Black British debut filled with desire and jeopardy and set on a south London estate.

Compelling and unforgettable, this is a marvellous debut’ Irish News

Wild Ground by Emily Usher

A working-class Romeo and Juliet that will break your heart, this bittersweet debut novel follows two teenagers whose all-consuming relationship is tested by the forces of prejudice and addiction.

‘Aches with hard-won hope and bruised tenderness’ Colin Walsh, author of Kala

England is Mine by Nicolas Padamsee

An urgent debut set in multicultural London which takes the reader on a frightening journey into online radicalisation.

‘A politically engaged, urgently plotted coming-of-age thriller with a wicked satirical streak’ Observer

Flowers from the Void by Gianni Washington

Hauntingly macabre and piercingly insightful about loss and loneliness, these gothic short stories lead us into a labyrinth of other possible worlds, each one darker than the last and yet all fearfully close to our own.

‘Brilliantly unsettling and unsettlingly brilliant’ Ellery Lloyd, author of The Club

Humorous Hardbacks

 

A top-down photograph featuring four Serpent's Tail books with Christmas decorations surrounding them. The books are: The Material, Mrs Gulliver and Help Wanted.

🎄 Help Wanted by Adelle Waldman

A moving multi-perspective novel about an exploited workforce that was recently listed as a Barack Obama reading pick!

‘Tightly plotted, slyly caustic and often very funny, it’s hugely enjoyable’ Daily Mail

🎄 Mrs Guilliver by Valerie Martin

A dazzling drama filled with sex, wry wit and literary references, Mrs Gulliver follows two women who have nothing to lose in their fight for agency on an island too ready to dismiss them.

‘Pure elegance, subtlety and wit. A triumph of a novel’ Francesca Segal, author of Mother Ship

🎄 The Material by Camille Bordas

Set over the course of a single day, and shifting exquisitely between several points of view, The Material examines life through the eyes of a band of outsiders bound together by the need to laugh, and the desire to make others laugh even harder.

‘A disquisition into the nature of comedy and creativity’ Sunday Times

Festive Stocking Fillers

 

A top-down photograph featuring three Viper books with Christmas decorations surrounding them. The books are: The Christmas Appeal PBK, Helle and Death PBK, Murder by Candlelight.

🎁 The Christmas Appeal by Janice Hallett

A delightful festive murder mystery from the bestselling author of The Appeal, in which the characters return for panto season – and a murder.

‘Cosy, but clever cosy, and a perfect stocking filler’ Sunday Times

🎁 Helle & Death by Oskar Jensen

Torben Helle – art historian, Danish expat and owner of several excellent Scandinavian jumpers – has been dragged to a remote Northumbrian mansion for a ten-year reunion with old university friends. But when some shocking revelations from their host, a reclusive and irritating tech entrepreneur, are followed by an apparent suicide, the group faces a test of their wits… and their trust.

‘Recommended reading for a long winter night’ Guardian

🎁 Murder by Candlelight edited by Cecily Gayford

Poisoned mince pies. A Christmas Eve ghost story that comes suddenly, horribly true. A locked-room puzzle on a train steaming through the winter’s night. All these, and many more, tales of mystery and malice await in Murder by Candlelight.

‘With Cecily Gayford in charge, we are on safe ground’ Daily Mail

Fireside Thrillers

 

A top-down photograph featuring three Viper books with Christmas decorations surrounding them. The books are: The Examiner, The Bells of Westminster, The Dead Friend Project.

The Bells of Westminster by Leonora Nattrass

The new standalone historical thriller by the bestselling author of Black Drop, Blue Water, and Scarlet Town.

‘Memorable and utterly engaging’ S.G. Maclean

The Dead Friend Project by Joanna Wallace

Things haven’t been going well for Beth ever since her best friend Charlotte died. After discovering something strange about the day that she passed away, Beth begins to question whether Charlotte’s death was really an accident… With a newfound purpose and a glass of wine in hand, it’s time for Beth to uncover what really happened.

‘A twisty-turny mystery that drew me in from the opening lines’ Philippa East

The Examiner by Janice Hallett

Six Students. One Murder. Your Time Starts Now… The latest genre-busting crime novel from the bestselling author of The AppealThe Twyford Code and The Mysterious Case of the Alperton Angels.

‘A joy to read, containing some delicious surprises’ Sunday Times

✨🎄🎁❄

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Halloween Reading List: Serpent’s Tail & Viper

Whether you’re trick-or-treating, carving pumpkins or heading to the big screen/sofa for a deliciously spooky film, no Halloween is complete without the perfect Halloween read to curl up with when the night is done. No matter your genre of choice, whether you’re looking for mind-bending twists, a gothic tale with chilling atmosphere, uncanny and insightful stories, a good mystery from the mists of time, or to be scared out of your wits, we’ve got the seasonal read for you this Halloween.

The Last House on Needless Street by Catriona Ward

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his young daughter Lauren and his cat Olivia in an ordinary house at the end of an ordinary street. All these things are true. And yet some of them are lies. ‘I haven’t read anything this exciting since Gone Girl’ Stephen King

Looking Glass Sound by Catriona Ward

In a windswept cottage overlooking the sea, Wilder Harlow begins the last book he will ever write. It is the story of his childhood companions and the shadowy figure of the Daggerman, who stalked their New England town. ‘So beautiful, so dark and so vivid’ Jennifer Saint

Delicate Condition by Danielle Valentine

Anna Alcott is desperate to have a family. When she finally gets pregnant the doctor tells her she’s lost the baby. Despite her grief, Anna ignores them because she can still feel the baby moving, can see the toll it’s taking on her body. Leading her to wonder, what exactly is growing inside her? ‘A timely, terrifying, heartfelt thriller’ Chris Whitacker

The Underhistory by Kaaron Warren

Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family’s grand home, killing everyone inside. She was the girl who survived the tragedy. Over the decades she rebuilt the huge and rambling building, recreating what she had lost. Now death seems to follow her wherever she goes… ‘Full of suspense and surprises’ Guardian

 

Fyneshade by Kate Griffin

All is not well at Fyneshade, an ancient and crumbling house in the wilds of Derbyshire. When Marta arrives as a governess she is met with silent servants, an abscent owner, and a son forbidden from entering the house. But Marta is no innocent. Guided by the dark gifts taught to her by her grandmother, she has made her own plans. ‘Marta is Jane Eyre’s black-hearted alter ego’ The Times

Melmoth by Sarah Perry

One winter night in Prague, Helen Franklin meets her friend Karel on the street. Agitated and enthralled, he tells her he has come into possession of a mysterious old manuscript, filled with personal testimonies from the 17th to 20th century. All of them tell of being followed by a tall, silent woman in black, bearing an unforgettable message. ‘Perry’s masterly piece of postmodern gothic is one of the great achievements of our century’ The Observer

Begars Abbey by V.L. Valentine

Winter 1954, Sam Cooper discovers a stack of hidden letters in her mother’s things, telling of an inheritance and a family that she never knew she had. Begars Abbey is a crumbling pile, inhabited only by Lady Cooper, Sam’s ailing grandmother. Her grandmother cannot speak, and a shadowy woman moves along the corridors at night… ‘A dark gothic delight’ Janice Hallett

A Good House for Children by Kate Collins

The Reeve stands on the edge of the Dorset cliffs, awaiting its next inhabitants. Two women’s stories, separated by 40 years, tell of a house where nothing is as it seems. The longer they stay in the house, the more deadly certain their need to keep the children safe from whatever lurks inside it… ‘A deliciously chilling atmosphere that fans of Shirley Jackson will love’ Francine Toone

The Green Man of Eshwood Hall by Jacob Kerr

Eshwood Hall is a great English house surrounded by sprawling woods. It is 1962 and Izzy is thirteen, living in the servants’ quarters and finding freedom exploring the forest and the village beyond. The more she explores, the stranger her surroundings become. The most tantalising of which is the Green Man in the woods who seems to know all about her and her deeply buried secrets. ‘Recalls M. R. James at his nastiest’ Daily Telegraphy

 

The Plague Letters by V.L. Valentine

London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts. Whoever it is will not stop, and has no mercy… ‘A riotous delve into the dark medical world of Restoration London’ S.G. MacLean

The Bells of Westminster by Leonora Nattrass

London, 1774. Susan Bell spends her days within the confines of Westminster Abbey, one of many who live in the grounds of the ancient building. Life at the abbey is uneventful, until a letter from the king arrives, demanding to open the tomb of Edward I. A ghostly figure, a murder and a missing corpse soon cause panic at the abbey, and Susan has no choice but to investigate. ‘A wonderfully clever historical novelist’ Daily Telegraph

The Resident by David Jackson

There’s a serial killer on the run and he’s hiding in your house. The one thing that Thomas enjoys even more than killing is playing games with his victims – the lonely old woman, the bickering couple, the tempting young newlyweds. And his new neighbours have more than enough dark secrets to make this game his best one yet… ‘A seriously creepy thriller’ Mark Billingham

You’d Look Better as a Ghost by Joanna Wallace

It’s not sensible to tangle with a serial killer, even one who is distracted by attending a weekly bereavement support group and trying to get her art career off the ground. Claire will do anything to keep her secret hidden. Let the games begin… ‘Utterly unique, an absolute rollercoaster of a read’ Daily Mail

Flowers From the Void by Gianni Washington

Addictively strange and disturbing, Flowers From the Void is a collection of 13 delectably uncanny tales. A reaper readies herself for her next gruesome assignment and a bereaved African witch prepares for a showdown with a rigidly traditional white Salem coven while an outcast teenage boy is lured into a pact with a schoolfriend that will cost him far more than he ever imagined. ‘Brilliantly unsettling and unsettlingly brilliant’ Ellery Lloyd

Her Body & Other Parties Carmen Maria Machado

In her provocative debut collection, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. A wife refuses her husband’s entreaties to remove the mysterious green ribbon from around her neck. A salesclerk in a mall makes a horrifying discovery about a store’s dresses. One woman’s surgery-induced weight loss results in an unwanted house guest. A dark, shimmering slice into womanhood, both wicked and exquisite. ‘It’s a wild thing, this book, covered in sequins and scales, blazing’ The New York Times

 

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Medusa of the Roses – Read an Extract

Anjir and Zal have been together ever since they first knew what love was. But living in Iran, the two men must keep their relationship hidden, potentially on pain of death.

Medusa of the Roses is Navid Sinaki’s transgressive, lyrical and deeply moving literary debut. Read an extract from the opening of this powerful novel below.

Available from: Waterstones | Bookshop.org | Amazon


Tiresias was mine. I always played the part of the man from Greek mythology who turned into a woman simply by striking two snakes.

It would have made the most sense if we pretended to be Zal and Rudabeh, even though we were two boys. Zal, who I always loved more than a friend, shared his name with a fabled Persian prince. And like Rudabeh, I was told my hair could pass for snakes. But I chose Tiresias when we played in a garden where gravity was especially cruel. Since our house was built on a slant, cherries from a neighbor’s tree rolled into our yard from one side and out the other before we could catch the fruit. Pomegranate trees kicked up rocks in search of water that was always out of reach. Nectarines didn’t just fall, they were impaled by stones. If ever one fell on my head, I’d pretend I deserved it in preparation for juices I’d eventually catch on my neck.

Sometimes I wore a veil for the role. A simple lace tablecloth completed my metamorphosis. In the myth, Tiresias eventually struck another two snakes and returned from being a woman to being a man, so we looked for the fruit vendor who hammered his cantaloupes at the end of the day. He would rather they rot than go for free. He also sold oranges I peeled to see what it felt like to walk around with foreskin, as I assumed they did in ancient Greece.

“It’s hard to love you,” Zal began to say when we were older. Not because I was a boy who wore veils and a fake foreskin. “Because you’re so infatuated with death.”

Perhaps he was right. I was the boy who gathered moths for spiders’ webs. I would polish the light bulbs when a memorial was strung for a kid who had drowned. I’d cry at spring because, with the dry leaves gone, for months nobody would talk about death.

Zal, let our words be a ribbon between the mouths of painted angels. If I start a conversation with you and keep it to myself, at least that won’t end.

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Serpent’s Tail Summer Reads 2024

 

Whether you’re heading off somewhere hot or relaxing at home this summer, we have got some incredible new titles that you won’t be able to put down. From tender debuts about mothers and daughters, to translated slow-burn horrors, we’re sure that you’ll find your book of the season below!

What do you plan on reading this summer? Let us know on X @SerpentsTail, or over on Instagram @serpentstail

Powerful Debuts

No Small Thing by Orlaine McDonald

An exceptional Black British debut filled with desire and jeopardy and set on a south London estate.

‘A gem of a book about mothers and daughters, about being Black and working class in today’s London. Beautiful writing, taut with emotion, poetry and insight’ Priscilla Morris, Women’s Prize shortlisted author of Black Butterflies.

The Material by Camille Bordas

Every comedian knows that there’s a line between sharp and cruel, that sad becomes funny at the right angle, that any moment in life, however painful or triumphant, has the potential to become a punchline. At the Chicago Stand-up School, success is about the material. A literary star ascending, Camille Bordas, makes her UK debut with a novel about the funniest people’s saddest stories.

Translated Fiction

The Black Orb by Ewhan Kim

One evening in downtown Seoul, Jeong-su is smoking a cigarette outside when he sees something impossible: a huge black orb appears out of nowhere and sucks his neighbour inside. A piercingly dark and surreal speculative novel on mass panic, disaster response and modern masculinity.

Tongueless by Lau Yee-Wa

A provocative contemporary Hong Kong noir, blending together politics and personal rivalry into an explosively exciting debut. Tongueless is a taut, compelling novel of betrayal, power imbalance and rapid social change.

Female-led Thrillers

The Dead Friend Project by Joanna Wallace

Things haven’t been going well for Beth ever since her best friend Charlotte died. After discovering something strange about the day that she passed away, Beth begins to question whether Charlotte’s death was really an accident… With a newfound purpose and a glass of wine in hand, it’s time for Beth to uncover what really happened.

The Leftover Woman by Jean Kwok

Two women in a divided city, separated by wealth and culture, yet bound together by their love for the same child. And when they finally meet, their lives will never be the same again… From The New York Times bestselling author Jean Kwok comes an evocative family drama and a riveting mystery about the ferocious pull of motherhood for two very different women.

Atmospheric Crime

The Wreckage of Us by Dan Malakin

Astrid Webb is missing. The police have found her car crashed near the woods, the driver’s door open, the seat spotted with blood. But there’s no sign of Astrid herself, a sick woman who rarely left her house, who surely couldn’t have left the scene of the accident without help…

The blistering new thriller from the bestselling author of The Regret and The Box

What We Did In The Storm by Tina Baker 

Everyone brings their secrets to the island… Set on Tresco on the Scilly Isles, this ensemble thriller explores emotive themes of class, wealth, complex relationships and abuse of power, with Tina Baker’s trademark wit and pathos.

‘If you like your crime offset by an idyllic location, like Midsomer Murders and Death In Paradise, then this is the book for you’ Heat 

Coming Soon

The Examiner by Janice Hallett

What could possibly go wrong on an art course? The answer is: murder. When the external examiner arrives to assess the students’ coursework, he becomes convinced that a student was killed on the course and that the others covered it up. But is he right? Only a close examination of the evidence will reveal the truth. The new genre-busting crime novel from the bestselling author of The AppealThe Twyford Code and The Mysterious Case of the Alperton Angels

Coming out 29th August 2024

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Q&A with Gianni Washington

 

We asked you to send over your questions for Gianni Washington, author of the debut horror short story collection Flowers From the Void. Here’s what she had to say!

 

Writing a book is a great challenge but what was the most joyful part? 

Sending the final-final version in after making the last of a billion small changes. Getting to that point of satisfaction and acceptance after all the work I’d done made me want to cartwheel around the room.

 

As a first-time author, what was the most surprising part of the publishing process?

How closely I got to work with the people bringing my book into the world. I expected to form a relationship with my developmental editor, but to have the rest of the process be mostly out of my hands. It was such a pleasure to communicate with my copyeditor, managing editor, publicist, and marketing guru like pals and to be so involved in the book-birthing process beyond writing the initial manuscript.

 

Would you say there is a central theme that runs across the stories? If so, what is it?

Emotional isolation for sure. I’m super interested in how we perceive our own experience of living versus what we think others experience. More people than you think tend to feel like outsiders and would describe themselves as such—it’s mind-boggling.

 

Are there any short stories, collections or authors that you drew inspiration from when writing this collection? 

The Illustrated Man by Ray Bradbury inspired my use of a framing device, plus his stories are weird and fun—I love them. Ditto Perchance to Dream by Charles Beaumont, Get in Trouble by Kelly Link, St. Lucy’s School for Girls Raised by Wolves by Karen Russell, Trigger Warning by Neil Gaiman—actually Neil Gaiman in general. Also Stephen King, Shirley Jackson, Gabrielle Wittkop, Thomas Ligotti, James Baldwin, Toni Morrison, Vladimir Nabokov… the entire list would make you grow old to read.

 

What would you like to see more of in the horror genre (books or film)?

This is directed more at film, but I’d like to see more characters getting into bizarre situations despite making the choices a person would likely make irl. It’s fun to watch characters venture into dark, creepy spaces with zero backup or run to the top floor of a building instead of to an area they could logically escape from, but it’s weirdly satisfying to me when a character does everything right and things STILL turn out bonkers.

 

If you were to base a short story on an existing horror film, which film would you pick?

Either Constantine or The Cabin in the Woods. I really enjoy exploring the “forces greater than humanity” idea; I love how these films do it and the questions they call to mind.

 

What’s are you planning on writing next?

I’m currently working on a semi-linked collection of short stories about death as concept, experience, and entity. But there’ll be a novel about twins set in North Carolina to occupy you in the meantime 🙂

 

Flowers From the Void is a collection of 13 grotesquely gothic short stories to keep you awake all night. A reaper readies herself for her next gruesome assignment and a bereaved African witch prepares for a showdown with a rigidly traditional white Salem coven while an outcast teenage boy is lured into a pact with a schoolfriend that will cost him far more than he ever imagined. Out now!

 

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Wild Ground – Read an Extract

A working-class Romeo and Juliet that will break your heart, this bittersweet debut follows two teenagers whose all-consuming relationship is tested by the forces of prejudice and addiction.

In this extract from Emily Usher’s powerfully tender novel Wild Ground, we’re introduced to central character Neef in her new life in London, reflecting on her past and her first love…

Available from: Waterstones | Bookshop.org | Amazon


The caff I live above isn’t mine. I don’t even run it, just work there, six days a week with Sundays off, and only then because it’s closed. I’ve tried to talk Fionnoula and Ali into keeping it open, seems daft to close it on a Sunday, all the extra trade we’d get from people passing through Streatham on a weekend. But Fionnoula won’t hear of it. Sundays are a day of rest, she says. Fionnoula goes to Mass every week, but still calls herself a bad Catholic. It’s like a private joke between her and Ali. The Bad Catholic and the Bad Muslim, they’ll quip, exchanging this look that’s only for them. They’ve been together for years and years, longer than I’ve been alive, she likes to tell me. But they’ve never married. Mostly because they couldn’t figure out where to do it, and besides, who would come? She laughs when she says that but I know it hurts her.

It was hard for them at the start, being together. Too hard for their families, Fionnoula says, although that’s her being kind, trying to forgive. It’s better now, down here at least. People from all corners of the earth walk past the caff every single day and still there are some who don’t like it. Folk can be strange like that. But at the start, she says, it was terrible. All the looks, the names, the turned backs. They got a brick through their window once, with a note tied to it. She’s never told me what it said. It doesn’t surprise me, though, how tough it was. It would have been strange to see the pair of them together even when I was a kid, round our neck of the woods at least. I just have to think of all the ways Danny used to get it, growing up in that pallid town where barely anyone looked like him.

The only reason I walked in the caff all those years ago was because I saw the hunched-over bloke with the ripped-up shoes
and dirty coat go in before me. I figured if they let him in, I might be all right. That bloke’s got different shoes these days, but he still wears that same old brown coat. That’s why we call him Sandy. No one knows his real name, no one’s ever asked. He drinks tea with milk and two sugars and if you put a coffee in front of him, he’ll sip it slowly with a downturned smile, but he’ll never tell you he doesn’t want it. Some days he’ll have a bit of toast; most, he doesn’t bother. He’s as thin as a rake and Fionnoula would happily feed him more if he’d have it, but he’ll only take what he needs, he has his pride. I don’t know his story, how old he is, where he comes from. All I know is that he’s there every day. Him. The old lady with the scarred face and the limp who works down the corner shop. The night cleaner whose empty eyes never seem to close. The shy musician with the long, greying dreads that fall all the way down his back. We’re all the same. A flock of silent souls circling around each other day in, day out, safe among chosen strangers. None of them know me, either. Not even Fionnoula and Ali, not really. They’d be disgusted by me if they did. They call me Jennifer, Jenny. Jen, sometimes. I don’t care which. They don’t know who I used to be, that I’ve spent almost half my life pretending to be someone else.

Fionnoula thinks I’m a dreamer but Ali knows better. Not that he’s ever said anything. It’s just the way he moves around me on
those days when he catches me staring, unblinking, at the steam curling out of the kettle, or turning circles with a damp cloth on the same patch of table over and over again. Mostly he’ll leave me be, but every so often I’ll feel his hand on my shoulder, warm and heavy, a reminder that he’s there. It brings me back somehow, when he does that. Fionnoula has another tack. She’ll swipe me round the back of the head with the corner of her tea towel, or wave her hand around in front of my eyes. He-llaaaaw? Anybody home, Lady Head-in-the-clouds? she’ll trill, her accent still so sing-song Irish no one would guess she’s lived down here all this time.

And then I’ll snap out of it, come to. Sorry, I’ll say. You caught me at it again.

It’s easier to let her think it’s a daydream, but in fact it’s the opposite of that. It’s doing anything I possibly can for it not to be a dream, for my brain not to get carried away with itself and take me to the places I want to stay away from. Sometimes it’s a song, a lyric on the radio, or a flat vowel that sounds like home. Other times it’s the gap between a stranger’s front teeth, the way someone shifts their weight, the cadence of a laugh.

When I first arrived in London, I’d see Danny everywhere. On the back of every bus, the corner of every street. But as the
years passed, I got better at blocking him out. Sometimes months would go by without me having that sense of him, the feeling that if I were to turn around he’d be there, within arm’s reach. Just the other day I followed a lad all the way down the High Road, hoping that when he turned it would be Danny’s face I’d see. I caught myself in time, the foolishness of it. Turned around and walked the other way.

I didn’t have any choice in the end, knew that if I had any chance of pulling through I would have to forget all of it, the bad and the good. But still I have these moments, these days when thinking gets the better of me. Because there were parts that were bliss, there were parts that were full and faultless and laden with joy. When Danny and I were kids, when we were innocent and daft and just the sight of each other, the split second of a look, could make us keel over laughing. And then later, in that middle bit. Fuck, that bit. It was beyond. The way everything we did, everything we felt, we did, we felt together. The way we loved and loved and loved each other. The way we loved each other.

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Q&A with Nicolas Padamsee

Nicolas Padamsee is the author of England is Mine (Serpent’s Tail, 2024), an Observer best debut novel 2024. It’s the story of David and Hassan, two second-generation immigrants struggling for a sense of identity and belonging in England’s largest metropolis. Amid a wave of online radicalisation and extremism, their fates become inextricably, catastrophically entwined.

We asked Nicolas a few questions to get an insight into his writing process and the inspiration behind this wonderfully raw, urgent debut novel.

 

Extremism is a word that has many connotations in the modern world, what does it mean to you?

There are few more hotly contested words today than extremism. It is deeply important that it is not thrown around with abandon and does not simply become shorthand for ideologies to which one is passionately opposed. The best definition I have come across is that provided by J. M. Berger, who classes it as ‘the belief that an in-group’s success or survival can never be separated from the need for hostile action against an out-group’ – this entails the designation of ISIS members and white supremacists alike as extremists, but not politicians who simply operate outside the mainstream, such as Jeremy Corbyn, George Galloway or Marine Le Pen, and places a valuable emphasis on the inherently social dimension of the concept.

 

As the founding editor of Arts Against Extremism, can you tell us a bit about this organisation and how it came to be?

Arts Against Extremism is a literary journal I set up while studying for a Creative & Critical Writing PhD at the University of East Anglia. We publish poetry, flash fiction, short stories and novel excerpts that engage with the subject of extremism – blurring black-and-white narratives and encouraging empathy for those ‘beyond the bounds of our personal lot’ (George Eliot) – as well as interviews and essays that consider how art can help to stem the tide of radicalisation. My ambition was to get more readers and writers to engage seriously with the causes and consequences of extremism; to counter it, we have to try to understand it, however uncomfortable that might be. I was inspired to set it up after reading Julia Ebner’s Going Dark: The Secret Social Lives of Extremists, in which she argues that the creative industries have the power to transcend traditional counter-extremism measures.

 

How has your work with Arts Against Extremism fed into the writing of England is Mine?

We have published a wide range of works, including a short story about division in Cyprus, a novel excerpt about the Bosnian War and flash fiction about Islamism. Reading and editing submissions led me to think more deeply about how radicalisation happens and how it can most effectively be portrayed in fiction. It also motivated me to spend more time wandering the sewers of the internet, which was as fascinating and illuminating as it was troubling.

 

The global communities that have developed around Call of Duty play a central role in David’s story. How did you approach researching this subset of online gaming culture?

I have been playing Call of Duty for over 20 years now and made many close friends doing so. During the first lockdown in spring 2020, I would regularly log on at around ten p.m. and find myself ambling up to bed to the sound of birdsong. For many people, this is their primary means of socialising – and a source of immense comfort and pleasure. I think there are a lot of men who are quite isolated and feel uncomfortable talking intimately with other men in person, but gain a certain confidence when they pick up their controller and put their headset on. In between the games – racking up frenzied, frantic Killstreaks – a lot of deep conversations do take place. At the same time, I have also seen people I used to play Call of Duty with change intensely over the past few years and move into more fringe communities.

 

Music is another instrumental part of David’s character. If England is Mine had a soundtrack, what would it be?

Writing England is Mine, I was heavily inspired by British indie rock – from Pet Shop Boys and The Smiths in the eighties, through Placebo and Suede in the nineties, Babyshambles and Arctic Monkeys in the noughties and Ghostpoet and Wolf Alice in the twenty-tens to PinkPantheress and Eliza Shaddad today. I also listened a lot to the subversive industrial metal of Rammstein and the dramatic military pop of Jadu.

Listen to the England is Mine playlist on Spotify and Apple Music.

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The Underhistory – Take a Sneak Peek

‘Hauntingly creepy’ – ERIN KELLY
‘A unique jewel of a book’ – LIZZY BARBER
‘A heartfelt and chilling gothic tragedy’ – CHRIS WHITAKER

People come to visit my home and I love to show them around. It’s not the original house of course. That was destroyed the day my entire family died. But I don’t think their ghosts know the difference.

Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family’s grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died there, both before and after the disaster. Her sister, murdered a hundred miles away. The soldier, broken by war. Death follows Pera, and she welcomes it in as an old friend. And while she doesn’t believe in ghosts, she’s not above telling a ghost story or two to those who come to visit Sinclair House.

As Pera shows a young family around her home on the last haunted house tour of the season, an unexpected group of men arrive. One she recognises, but the others are strangers. But she knows their type all too well. Dangerous men, who will hurt the family without a second thought, and who will keep an old woman alive only so long as she is useful. But as she begins to show them around her home and reveal its secrets, the dangerous men will learn that she is far from helpless. After all, death seems to follow her wherever she goes…

Sinister and lyrical, The Underhistory is a haunting tale of loss, self-preservation and the darkness beneath.

Available from: Waterstones | Bookshop.org | Amazon


 

1
SINCLAIR HOUSE, 1993

Looking back, Pera figured out that at the very moment Ike shot his first victim in the jailbreak, she was cleaning up the blood spilled by a visitor who fainted after seeing the rat king. It wasn’t a big spill, but she knew from past experience that even a small amount of blood would smell bad in a couple of days. It was always the Underhistory, the cellar, that got them. Sometimes it was fright, or tiredness, or the closeness of the air. But if someone was going to collapse, that’s where they’d do it.

It was the second-to-last Sinclair House tour of the season, and admittedly her heart wasn’t in it. Usually she’d pack up and leave after the last tour, to be away during flood season. But she was tired. This year, she would stay at home.

After that tour, she had gone into town for the last time, pulling into a parking spot right in front of the hair salon and giving herself a cheer. You never wanted to be late for an appointment with Marcia.

Pera had walked through the door with minutes to spare. Marcia glanced up and rolled her eyes.

‘How are you, Marcia?’

‘Running behind, as usual. Everybody’s always late.’ Marcia had ideas about herself and cutting hair in this small country town weren’t among them. Pera cursed Claudia for being away; usually a haircut meant a house call and an excuse for gossip and champagne. Pera wasn’t keen on Marcia’s cuts but she had been desperate; she looked like an old hag. And Marcia had a loser for a husband, so Pera tried to be kind to her. ‘So, what miracle do you want me to perform today?’ Marcia said.

What Pera had seen in the mirror was not who she was. At heart, she was thirty-three. She dressed young but the wrinkles? There was little she could do about them apart from a face-lift and she didn’t want that stretched leather look.

She had picked out a new lipstick from Marcia’s selection. ‘Bit bright for your age, isn’t it?’ Marcia had said, and Pera had said, ‘You know how much I like colour!’ primping at her hair. She wasn’t bothered by these slights; they said more about Marcia than they did about her. Pera never left the house underdressed. She had a lovely silk scarf she bought in Dublin, shoes from Italy and her Chanel suits she would not be without.

The previous customer paid up, grumbling, and Pera had waited until Marcia gestured her into the chair, where she poked Pera’s hair. ‘Had a go at this yourself, did you?’ She had started combing Pera’s hair, tugging at knots Pera didn’t think were really there.

‘You’re hurting me,’ she had said. ‘Marcia? Can you be a bit more gentle?’

‘Jesus Fucking Christ,’ Marcia had said.

‘Is everything all right, Marcia?’

The phone had rung and Marcia had answered it, launching into a tirade. Pera had decided she’d rather wear her hair in a bun until Claudia came back than let this woman cut it in this state of mind, so she had removed the apron and sidled out of the shop without Marcia even noticing. She had too much to do to waste her time sitting there.

There were conversations every step as she did her shopping, with the wonderful Gwennie – seventy-five, bright and lively, she still cleaned her own gutters – and with Mrs Robertson, dressed as ever as if she were going to the opera; tailored jacket, silver and pearl brooch, diamond-studded watch. She carried a mahogany walking stick but mostly used it to wave at people.

Pera liked her small town; here, people knew her. Elsewhere she was old and could wait and wait and not be noticed in a shop. She was invisible. Here, she was still Pera from Sinclair House, the sole survivor, their famous girl.

‘I thought you were off to Melbourne?’ Mrs Robertson had asked. ‘Your annual?’

‘New Zealand, actually. Stocking up on non-perishables so I have things waiting for me when I get back.’

‘I hope you’ve let the district nurse know. You know how awful she gets when she doesn’t!’ Mrs Robertson had eyed the milk and cheese but had said nothing. ‘You enjoy yourself,’ she said, patting Pera’s arm. ‘Did you hear? Mrs Bee’s Wayne is getting out of jail. She’s had a phone call from him. She’s that pleased!’

‘I hadn’t heard,’ Pera had said. She had written to Mrs Bee, telling her the lie about New Zealand, feeling bad about it but knowing it was all part of the deception.

‘Didn’t our Marcia go out with him for a while? Lucky escape, that one! For him, I mean!’ The two women had chuckled.

‘But between you and me, I think Mrs Bee is confused. They’re not letting that boy out. They locked him up and threw away the key for what he did.’

On the way out with her shopping bags Pera tripped and fell, cutting her knees badly on the corner of the kerb and twisting her ankle as well. Everybody fussed, wanting to call an ambulance. ‘No, no, I have a tour coming,’ she said. She did have one last group.

Later, when Pera had arrived home, the man from the stables had come to take her horses away. ‘Off for a month, are you? Where is it you’re going?’

‘New Zealand! Lucky old me. I’ll send you a postcard,’ Pera had said. The lie had come smoothly off her tongue, after weeks of convincing people she was leaving town. ‘One more tour and I’ll be off to the land of the long white cloud.’ She travelled most years. She’d planned to go back to Greece, but that seemed exhausting, so she’d booked New Zealand, but even that felt too much. Instead she had decided to stock up on food, barricade herself in and sleep, read, rest.

‘I’ll take good care of these beauties,’ the man had said, stroking the mane of one of her horses.

‘You always do,’ Pera had said. She knew she should just let him keep them for good, but they provided her comfort. If she heard a whicker or neigh, she could be sure it was a real horse out there, not a ghost.

***

The blood in the cellar was cleaned away and the preparations for the last tour of the season were nearly done. On the third floor, Pera shifted the dusty mannequin dressed in a bloodied butcher’s apron to the side, pushed a panel and opened the concealed door to her private stairway.

She’d added the secret door because people had no boundaries. No matter how many ‘Private: Do Not Enter’ signs she put up, people stamped up the stairs looking for her, wanting things, asking questions. She loved her apartment; so bright and sunny, so different from the rest of the house, which was full of history and stories. Up here there was simply the present and that was refreshing. It was a perfect space for a single person, making a small fourth floor. She had two bedrooms and too many closets, full of books, jewellery, memorabilia and clothing.

She spent a moment gazing out the window at the astonishing lawn full of flowers, all of them grown from the tributes she’d laid out there decades ago. She called Mrs Bee in Queensland, worried about the gossip she’d heard about Wayne getting out of jail – he always caused her grief – but there was no answer. Pera left a message and promised herself to call back in the evening.

Then she showered, spending too long but unwilling to leave the hot, comforting pressure of the water. She sang in the shower
at the top of her voice, Puccini’s ‘O mio babbino caro’. It always calmed her.

That calm left when she saw herself in the mirror. She again cursed the fact that Claudia, dear friend and hairdresser who would usually come to her to do her hair, was away, and that bloody Marcia in town, the cow, had been so bad-tempered she hadn’t had the haircut and dye-job she desperately needed. She washed her hair, then brushed it back. She’d tie it in a bun and play the little old lady for this tour group.

They never minded that. Her ankle was sore from her fall, so she took a cane out of the umbrella stand. Even better.

When she had a tour going through, she could mark off hours reliably. If not, only the clocks marked time and they were not trustworthy.

Just this last tour, then she could rest.

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Help Wanted – Read the Opening

‘Help Wanted is like a great nineteenth-century novel about now, at once an effervescent workplace comedy and an exploration of the psychic toll exacted by the labour market’ Elif Batuman, author of The Idiot

‘An immersive, deeply affecting human drama’ Bookseller, March 2024 Book of the Month

‘Poignant, funny, stealthily ambitious’ The New York Times

At a superstore in a small town in upstate New York, the members of Team Movement clock in every day at 3.55 am. Under the red-eyed scrutiny of their self-absorbed and barely competent boss, they empty delivery trucks of mountains of merchandise, stock the shelves and stagger home (or to another poorly paid day job) before the customers arrive.

When Big Will the store manager announces he’s leaving, everything changes. The eclectic team members now see a way to have their awful line manager promoted up and away from them, and to dream of a promotion of their own. Together they set an extravagant plan in motion.

Available from: Waterstones | Bookshop.org | Amazon


1

 

THE FIRST HINT something was up was so subtle that it barely registered. Just before the start of Monday’s 4 a.m. shift, the members of Movement were in the employee area at the front of the store, waiting
to clock in. Everyone was there—everyone, that is, except Meredith, the person at the center of the plot that was soon to take shape, its reason for being.

Nicole turned to Little Will, Movement’s group manager. “She’s still coming back today?” Nicole asked. “She hasn’t been, like, fired?”

At twenty-three, Nicole was the youngest person in Movement.

“Nope,” answered Little Will. “She texted me last night.”

As if Nicole had demanded proof, he fished his phone from his pocket, tapped its screen several times, and passed the device to her. I’ ll be a little late tomorrow, read the message from “Meredith, boss.” I need
a little rest after vacay, you know how it is! The words were followed by two emojis: a beach ball and a glass of wine.

Nicole rolled her eyes. She was about to hand back Little Will’s phone when a new text bubble appeared on the screen. She couldn’t help but read it. Hey man, I’ve got some news. Could be big for Movement.
Coming in now, will tell you & M after the unload. The text was from Big Will, the store manager.

“Huh,” Nicole said. She gave the phone back to Little Will, then watched him as he read the text.

He was six foot one. He was only called Little Will to distinguish him from Big Will. Big Will was five eleven, but it was his grinning face, captured by a Polaroid, that sat at the top of the org chart taped
to the wall of the break room at Town Square Store #1512 in Potterstown, NY. From Big Will’s photo, seven spokes pointed diagonally down to the next layer of management, the store’s executive managers. One of these was Meredith. Her photo, taken at a flattering three-quarter angle, showed her smiling coyly. Two months earlier, it had been pulled from the slot that said “Executive Manager for Sales—Hardlines” and reglued above the words “Executive Manager for Logistics (a.k.a. Movement).” A lone vertical line led down from Meredith’s picture to Little Will’s. His appeared to have been taken under duress. It had a startled mug-shot quality. As if to underline a point about his status, Little Will’s title—group manager—wasn’t capitalized. The rank-and- file members of Movement weren’t pictured at all.

“Maybe Meredith really is getting fired?” Nicole said when Little Will looked up from his phone. She grinned hopefully.

She was pretty, in a fresh-faced, apple-cheeked, straight-from-the-farm way, the kind of dimpled white girl you could picture in ye olden days, in a gingham dress and braids as she milked a cow. To tamp down
such associations, she slouched, wore baggy T-shirts and boxy pants that sat low on her hips, smoked constantly, avoided both the sun and foods that weren’t heavily processed and/or white in color, and generally cultivated an air of boredom and free-floating hostility.

Little Will frowned. As a manager (albeit a low-level one), he tried to adhere to certain standards. “Let’s not jump ahead of ourselves,” he said.

Nicole looked at him with something close to pity. It wasn’t only because he was too nice to talk shit even about Meredith. He’d missed multiple buttons on his shirt—a limp, faded, pill-covered
flannel he kept balled up on the passenger seat of his car when he wasn’t working. Swatches of white undershirt were visible between buttonholes. Little Will would have been ridiculous if he weren’t so good-looking.

The digits on the two identical time clocks hanging on the opposite wall changed synchronously from 3:54 to 3:55. The text slipped from Nicole’s mind as she joined the others.

After clocking in, a few people went straight to the sales floor. The rest headed to the warehouse. Movement was responsible for unloading the trucks that came from Town Square’s corporate distribution center in western Pennsylvania and for getting the merchandise onto the store’s shelves.

Nicole, who was in the warehouse group, walked with the others through the quiet store to Aisle E26 (lightbulbs), all the way in the back. At the end of the aisle, they passed through a set of double doors, marked EMPLOYEES ONLY.

The warehouse was even more dungeon-like than usual. With sunrise still a ways off, its small, dirty skylights were useless. The half dozen or so bare bulbs that hung from the high ceiling only dented the gloom. The air was thick and warm. There was never any AC back here, but with the store closed to customers, the HVAC system was on eco mode: no occasional blasts of cooled air wafted in from the sales floor. The truck was parked ass-out in the first of the warehouse’s three loading docks. Every few seconds, high-pitched squeals tore through the dark space. The line—a long metal track that ferried merchandise through the warehouse—needed oiling.

Milo and Diego had arrived before the others, to set up. Milo was already in position, standing just inside the truck, and was raring
to go—rotating his arms in their shoulder sockets, like a pitcher warming up.

Milo was the thrower. His job was to transfer boxes from the truck onto the line, then push them to the next person, who scanned them. At store #1512, this was Nicole. If her scanner said a box held backstock, she drew a slash on its label with a Sharpie before pushing the box down the line. Downstream from her, Travis, Raymond, Diego, Val, and the old guys were spread out along the line. Each one was responsible for picking certain categories of boxes off the line and putting them onto pallets waiting by their feet. Boxes that weren’t theirs, they pushed to the next person, until the truck was empty.

Without waiting for the old guys to get to their posts at the back of the line, Milo began pushing boxes down the track.

Nicole’s scanner intoned dully—beep, beep, beeeeep—as it hovered over a microwave, a box of DVDs, a bundle of six swim noodles tied together with twine, which for some reason—who knew or cared—elicited a longer and higher-pitched squawk. Nicole fell into a steady, almost somnambulant rhythm as she scanned and pushed, scanned and pushed. There came a cordless vacuum cleaner, an infant car seat, several packages of paper towels fused together with shrink-wrap, a box containing tubs of protein powder, an office chair, a dollhouse, kitty litter, curtain rods, an air conditioner, a box of mixed HBA (health and beauty aids), a flat-screen TV, baby wipes, a box of individually packaged, microwavable bowls of organic mac ’n’ cheese, two Blu-ray players, a convection oven, four Android cell phones, a crate of jarred pasta sauce, a box of DVDs, a stack of Monopoly sets wrapped in cellophane, a white-noise machine, a mixed box of Chemical (cleaning supplies), a bundle of shrink-wrapped lampshades, more kitty litter, several cases of flavored seltzer water in 12-ounce aluminum cans, tiny cans of gourmet dog food, deodorant, double-A batteries, even more kitty litter—for decades, Potterstown had been hemorrhaging people, but judging by the fecal evidence, its cats were flourishing—dish soap, soap dishes, a drip coffeemaker, a Keurig coffeemaker, pots for planting, pots for cooking, rubber mats to put in the footwell of a car, crayons, laundry baskets, bookshelves, a half dozen bound American flags, shampoo, nail polish, wood polish, shoe polish.

When a pallet filled with boxes, Little Will used a jack to whisk it from its spot. Before taking it out to the sales floor to be unpacked—or “broken out,” as they called it—he swapped an empty pallet in its place so the movement of the line wouldn’t be interrupted, even for a moment. Corporate insisted the unload take no more than an hour. If they took even a minute longer, Meredith, as executive manager, had to submit a “failure report,” as she called it. Having to do this guaranteed she’d be on the warpath for the rest of the morning. One time, after it happened, she’d sent Raymond home early, on the grounds—dubious, in Little Will’s judgment—that Raymond was still drunk from the night before. (He’d just smelled of booze.) More recently, she’d gone off on Nicole, chewing her out and threatening to write her up for no reason at all.

Before taking a pallet of HBA to Joyce on the sales floor, Little Will glanced at his wrist. It was bare. He remembered that his watch battery had died a few days ago. He pulled his phone from his pocket: 4:09. Shit.

Although corporate permitted them to clock in five minutes earlier, Movement’s shift officially started at four. They had to finish the unload by five.

Little Will rubbed his cheek. It was already stubbly. His shift began at three, an hour earlier than the others’, and lasted eight hours and forty-five minutes. Then he went to his second job, landscaping. He showered and shaved at night, before going to bed.

“Jesus Christ!”

Back in the warehouse, Val’s voice rose above the screech and clang of the line. Little Will turned to her. So did everyone else. With one hand, she held a large bag of kitty litter above her head, like the Statue of Liberty wielding her torch.

“This is soaked!” Val shouted, giving the kitty litter a little shake as the line came to a slow, whining stop. “C’mon, mofos! What’s the use of kitty litter if it’s wet?” With her free hand, she tapped the side of her head. “Think about it.”

But she was grinning. There were few things Val liked more than an opportunity to display her competence.

“Drama queen,” Milo muttered from the truck. Only Nicole heard. She didn’t respond. Nicole thought the idea of Milo calling anyone, even Val, dramatic was laughable. After three years of working next to Milo on the line, Nicole’s precise level of irritation with him ebbed and flowed, but it rarely dipped below a six on a one-to-ten scale.

Val tossed the kitty litter into the Damaged pile (which, to Milo’s point, she could have done immediately, without stopping the line). Boxes started to move again.