A Good House for Children (Audiobook)
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I absolutely loved A Good House for Children and was gripped right from the start. A dark and haunting read
A scintillatingly sinister folk horror debut.
A Good House for Children (Hardback)
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A scintillatingly sinister folk horror debut.
'In her beautifully written debut, Kate Collins gives the haunted house novel a refreshing renovation, while retaining a deliciously chilling atmosphere that fans of Shirley Jackson will love. I was entranced' Francine Toon, author of Pine
The perfect place to destroy a family...
The Reeve stands on the edge of the Dorset cliffs, awaiting its next inhabitants. Despite Orla's misgivings, her husband insists this house will be the perfect place to raise their two children.
In 1976, Lydia moves to Dorset as a nanny for a family grieving their patriarch. She soon starts to hear and feel things that cannot be real, but her bereaved employer does not listen when Lydia tells her something is wrong.
Separated by forty years, both Lydia and Orla realise that the longer they stay at the Reeve, the more deadly certain their need to keep the children safe from whatever lurks inside it...
Nothing is quite what it seems at the Reeve, and with its pervasive atmosphere of claustrophobia and dread, Kate Collins' gothic creation will chill you to the core.
A Good House for Children (Ebook)
Buy from
A scintillatingly sinister folk horror debut.
'In her beautifully written debut, Kate Collins gives the haunted house novel a refreshing renovation, while retaining a deliciously chilling atmosphere that fans of Shirley Jackson will love. I was entranced' Francine Toon, author of Pine
The perfect place to destroy a family...
The Reeve stands on the edge of the Dorset cliffs, awaiting its next inhabitants. Despite Orla's misgivings, her husband insists this house will be the perfect place to raise their two children.
In 1976, Lydia moves to Dorset as a nanny for a family grieving their patriarch. She soon starts to hear and feel things that cannot be real, but her bereaved employer does not listen when Lydia tells her something is wrong.
Separated by forty years, both Lydia and Orla realise that the longer they stay at the Reeve, the more deadly certain their need to keep the children safe from whatever lurks inside it...
Nothing is quite what it seems at the Reeve, and with its pervasive atmosphere of claustrophobia and dread, Kate Collins' gothic creation will chill you to the core.
Kate Collins
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